To celebrate the 105th birthday of Carmen Herrera on 30 May 2020, Lisson Gallery launches a new in-depth series, entitled Studio, on our artists' spaces, practices and preoccupations. This includes conversations, behind-the-scenes footage and access to thought processes and new bodies of work. As well as screening the documentary, The 100 Year Show, made in the lead up to her centenary in 2015, this celebration of Herrera's life and work focuses on never-before-seen images and videos of her studio and apartment in New York.
From architecture studies in Cuba to New York’s Art Students League to Le Salon des Réalités Nouvelles in Paris, Herrera's life has spanned continents and art movements, and demonstrates a persistent devotion to her work. She was a pioneer and a peer of many male artists who received great recognition in their time. Her story is just one example of the many great artists whose accomplishments were overlooked because of their gender, ethnicity or nationality.
Rodney Graham invites you to his Vancouver studio where he discusses a new body of work for Lisson Gallery, the so-called Painting Problems, collaged and derived from previous series and painterly personas created by the artist. In these works, Graham continues to inhabit the figure of an unnamed abstract painter, drawing on the vocabulary of early Modernism, splicing together different styles from the Cubism of Braque and Picasso, to the Constructivism and Expressionism of Rodchenko, Pollock and Fontana.
Previous and recent painting series by Graham are obliquely referenced in these Painting Problems – the first of Lisson Gallery's Online Exhibitions (6 – 20 May, 2020) – yet by sampling aspects and fragments of his own compositions, Graham has created a new combinatory style. Here he reveals the thinking and complexities behind the perfect painterly surfaces.
On Tuesday 7 April 2020, Ossian Ward of the Lisson Gallery hosted a live virtual walk-through of Ryan Gander's studio, where the artist provided insight into the new works in his studio – including a philosophical animatronic mouse, ghostly apparitions, fake snow drifts, a man crafted from graphite and other friends. The live tour was conducted via video-conferencing on two separate occasions with hundreds of invitees. Images and documentation of works included in this tour follow the full video of the studio visit.
Gander's work The End (2020) will inaugurate the 'Focus' presentation for Lisson Gallery's Online Exhibitions from 25 – 31 May.
On 4 and 5 May 2020, Lisson Gallery held virtual tours around the Berlin apartment and studio of Christian Jankowski. Led by the artist and Lisson's Ossian Ward, the walkthroughs introduced Jankowski's 2011 film work Casting Jesus (screened by Lisson for one week as the final film in its first season of Spotlight Screenings), in which the artist invited a panel from the Vatican to audition actors vying for the ultimate role: playing the Son of God. Jankowski discusses this film in the studio tour – and how the potentially heretic artistic act was also one of collaboration and deference to the expertise of his ‘co-authors’ – along with a selection of other seminal films from his 30-year career that exemplify the often cooperative, performative nature of his work.
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