Lisson Gallery

Sean Scully

Sean Scully is one of the most important painters of his generation, whose work is held in major museum collections around the world. While known primarily for his large-scale abstract paintings, comprised of vertical and horizontal bands, tessellating blocks and geometrical forms comprised of gradated and shifting colours, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolour and pastel. Having developed a style over the past five decades that is uniquely his own, Scully has cemented his place in the history of painting.  His work synthesises a thoroughly international collection of influences and personal perspectives – ranging from the legacy of American abstraction, with inspiration from the likes of Mark Rothko and Jackson Pollock, and that of European tradition, with nods to Henri Matisse and Piet Mondrian, as well as references to classical Greek architecture. While monumental in scale and gesture, Scully’s work retains an undeniable delicacy and sincerity of emotion. 

Sean Scully was born in Dublin in 1945 and raised in South London. Wanting to be an artist from an early age, Scully attended evening classes at the Central School of Art in London from 1962 to 1965, and enrolled full time at Croydon College of Art, London from 1965 until 1968. He received his Bachelor of Arts from Newcastle University in 1972. He was awarded the Frank Knox Fellowship to Harvard University in 1972, where he visited the United States for the first time. In 1975, he moved to New York full-time. Today, he lives and works between New York and Bavaria. With a career that spans more than five decades, he has received numerous accolades and has been the subject of multiple touring exhibitions. In 2014, he became the first Western artist to have a career-length retrospective in China. Follow the Heart: The Art of Sean Scully 1964 – 2014 included over 100 paintings and travelled from Shanghai to Beijing. Scully was named a member of the Royal Academy of Arts in London in 2013, and has twice been shortlisted for the Turner Prize. He has received honorary degrees from institutions such as the Massachusetts College of Art, Boston; the National University of Ireland, Dublin; Universitas Miguel Hernandez, Valencia; Burren College of Art, National University of Ireland; Newcastle University, UK, among others. A series of essays and conversations between Scully and the esteemed art critic Arthur Danto was published by Hatje Cantz in 2014, and a collection of Scully’s own writing, selected speeches and interviews, Inner, was released in 2016.

Significant solo exhibitions of his work were recently on view at the Albertina, Vienna, Austria (7 June – 8 September 2019); Instituto Cultural Cabañas, Guadalajara, Mexico (23 May – 29 September 2019); San Giorgio Maggiore, Venice, Italy (11 May – 13 October 2019); LWL-Museum for Art and Culture, Münster, Germany (5 May – 8 September 2019); Villa Panza, Fondo Ambiente Italiano, Varese, Italy (18 April 2019 – 6 January 2020); National Gallery of Art, London, UK (13 April – 11 August 2019); The Wadsworth Atheneum, Hartford, CT, USA (23 February – 19 May 2019) and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., USA (13 September 2018 – 3 February 2019); Yorkshire Sculpture Park, Wakefield, UK (29 September 2018 – 6 January 2019); De Pont Museum of Contemporary Art, Tilburg, The Netherlands (21 April – 26 August 2018); Staatliche Kunsthalle Karlsruhe, Germany (24 March – 5 August 2018); Cuadra San Cristóal, Mexico City, Mexico (7 February – 24 March 2018); State Russian Museum – Marble Palace, St. Petersburg, Russia (3 March – 9 May 2018); Multimedia Art Museum, Moscow, Russia (3 November – 10 December 2017); Museum of the Nanjing University of the Arts, China (8 April – 8 May 2016); Museum of Art, Guangzhou, China (6 September – 9 October 2016); Hubei Art Museum, Wuhan, China (10 January – 12 March 2017); Shanghai Himalayas Art Museum, China (23 November 2014 – 25 January 2015); and Central Academy of Fine Art (CAFA), Beijing, China (12 March – 23 April 2015). In 2015, Scully oversaw a complete renovation at the Romanesque chapel Santa Cecilia de Montserrat, near Barcelona, featuring his work in dialogue with the historic architecture and restoring the church to working condition.

Sean Scully’s work is in the permanent collections of numerous important institutions including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; The National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Art Gallery of Ontario, Canada; Tate Modern, London; Irish Museum of Modern Art, Dublin; De Pont Museum of Contemporary Art, Tilburg; Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Museo Nacional Centro de Arte Reina Sofia, Madrid; Albertina, Vienna; and Guangdong Museum of Art, Guangzhou, China, among many others.

Shadow Stack

Sean Scully
Shadow Stack, 2018
Corten steel, 448 x 249.9 x 259.1 cm (176 3/8 x 98 3/8 x 102 in)

Opulent Ascension

Sean Scully
Opulent Ascension, 2019
Installation view at 'Sean Scully: Human'; Abbazia di San Giorgio Maggiore, Venice, Italy; 8 May – 13 October 13, 2019

Shutter

Sean Scully
Shutter, 2019
Oil on aluminium, 279.4 x 539.8 cm (110 x 212 1/2 in)

Looking Outward

Sean Scully
Looking Outward, 2019
Installation view at Villa Panza, Varese, Italy; Photo by Michele Alberto Sereni; Courtesy Magnoza

Boy Land

Sean Scully
Boy Land, 2019
Oil and oil pastel on aluminium, Two panels, each: 299.7 x 190.5 cm (118 x 75 in)

Installation view of 'Sean Scully: Sea Star' at the National Gallery, London

Sean Scully
Installation view of 'Sean Scully: Sea Star' at the National Gallery, London, 2019
13 April – 11 August 2019

Madonna

Sean Scully
Madonna, 2019
Oil on aluminium, 215.9 x 190.5 cm (85 x 75 in)

Cream

Sean Scully
Cream, 2018
Aquatint, sugarlift and spitbite on paper; Framed: 84.5 x 71.8 cm, (33 1/4 x 28 1/4)

Ten Ton Ceiling

Sean Scully
Ten Ton Ceiling, 2017
Bronze and aluminium, 86.4 x 177.8 x 119.4 cm (34 x 70 x 47 in)

Golden Frieze

Sean Scully
Golden Frieze, 2017-2018
Glass mosaic, 130 ft. long. Public Collection, United States Embassy, London, UK

Exhibitions

  1. Sean Scully: PAN

    Sean Scully: PAN

    30 April – 8 June 2019

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