Hugh Hayden’s practice considers the anthropomorphization of the natural world as a visceral lens for exploring the human condition. Hayden transforms familiar objects through a process of selection, carving and juxtaposition to challenge our perceptions of ourselves, others and the environment. Raised in Texas and trained as an architect, his work arises from a deep connection to nature and its organic materials. Hayden utilizes wood as his primary medium, frequently loaded with multi-layered histories in their origin, including objects as varied as discarded trunks, rare indigenous timbers, Christmas trees or souvenir African sculptures. From these he saws, sculpts and sands the wood, often combining disparate species, creating new composite forms that also reflect their complex cultural backgrounds. Crafting metaphors for human existence and past experience, Hayden’s work questions the stasis of social dynamics and asks the viewer to examine their place within an ever-shifting ecosystem.
Hugh Hayden was born in Dallas, Texas in 1983 and lives and works in New York City. He holds an MFA from
Columbia University and a Bachelor of Architecture from Cornell University. His work was the subject of a solo
exhibition at White Columns in New York in 2018. His work has been included in numerous group exhibitions
including JTT, New York (2018); Clearing, New York (2018); Tanya Bonakdar Gallery (2018); PPOW Gallery,
New York (2017); Gavin Brown’s enterprise, New York (2017); Postmasters Gallery, New York (2016); MoMA
PS1, Rockaway Beach, New York (2014); Socrates Sculpture Park, New York (2014); and Abrons Art Center, New
York (2013), among others. He is the recipient of residences at Glenfiddich in Dufftown, Scotland (2014); Abrons
Art Center and Socrates Sculpture Park (both 2012), and Lower Manhattan Cultural Council (2011).