Lisson Gallery

Carmen Herrera

Core to Carmen Herrera’s painting is a drive for formal simplicity and a striking sense of colour: “My quest”, she says, “is for the simplest of pictorial resolutions” (2012). A master of crisp lines and contrasting chromatic planes, Herrera creates symmetry, asymmetry and an infinite variety of movement, rhythm and spatial tension across the canvas with the most unobtrusive application of paint. As she moved towards pure, geometric abstraction in the post-war years in Paris, she exhibited alongside Theo van Doesburg, Max Bill and Piet Mondrian and a younger generation of Latin American artists, such as members of the Venezuelan Los Disidentes, Brazilian Concretists and the Argentinian Grupo Madi. Her work also chimes with her peers from the U.S. school such as Barnett Newman and Leon Polk Smith. Reflecting on this period, she says, “I began a lifelong process of purification, a process of taking away what isn’t essential” (2005). While allied with Latin American non-representational concrete painting, Herrera’s body of work has established, quietly but steadily, a cross-cultural dialogue within the international history of modernist abstraction.

Carmen Herrera was born in Havana, Cuba in 1915. She moved frequently between France and Cuba throughout the 1930s and 1940s; having started studying architecture at the Universidad de La Habana, Havana, Cuba (1938–39), she trained at the Art Students League, New York, NY, USA (1942–43), before exhibiting five times at the Salon des Réalités Nouvelles, Musée d’Art Moderne de la Ville de Paris, France (1949–53). She settled in New York in 1954, where she continues to live and work. Herrera’s work was the subject of a large-scale survey at the Whitney Museum of American Art in New York (2017), which traveled to the Wexner Center for the Arts in Columbus, Ohio (2017) and Kunstsammlung Nordrhein-Westfalen (K20) in Düsseldorf, Germany (2017–2018). A selection of Herrera's recent paintings and Estructuras inaugurated Lisson Gallery New York’s 24th Street exhibition space in May 2016. Herrera has also had solo exhibitions at Museum Pfalzgalerie Kaiserslautern, Kaiserslautern, Germany (2010); Ikon Gallery, Birmingham, UK (2009); and Museo del Barrio, New York, NY, USA (1998). She has been included in the group shows at Museum of Fine Arts, Houston, TX, USA (2017); The Underground Museum, Los Angeles, CA, USA (2017); Haus der Kunst, Munich, Germany (2016); Phoenix Museum of Art, AZ, USA (2013); and Sheldon Museum of Art, NE, USA (2012), among others. In 2018, her work was featured in exhibitions ‘Géométries Sud, Du Mexique à la Terre de Feu’ at Fondation Cartier pour l’art contemporain in Paris, France and ‘Epic Abstraction: Pollock to Herrera’ at The Met Breuer in New York.

Herrera was awarded two fellowships from the Cintas Foundation, New York, NY, USA (1966–68) and a grant by the Creative Artists Public Service, New York, NY, USA (1977). Her work is in numerous public and private collections including the Museum of Modern Art, New York, NY, USA; the Whitney Museum of American Art, New York, USA; the Tate Collection, London, UK; the Hirshhorn Museum, Washington DC, USA; The Smithsonian American Art Museum, Washington DC, USA; the Walker Art Center, Minneapolis, MN, USA; the Pérez Art Museum, Miami, FL, USA; the Institute of Fine Arts Boston, MA, USA; Crystal Bridges Museum of Art, Bentonville, AR, USA; Museum Pfalzgalerie Kaiserslautern, Kaiserslautern, Germany; and El Museo del Barrio, New York, NY, USA.

Estructura Roja

Carmen Herrera
Estructura Roja, 1966/2012
Plywood, automobile paint 70 x 125 x 13 cm / 27 5/8 x 49 1/4 x 5 in.

Orange & Red

Carmen Herrera
Orange & Red, 1989
Acrylic on canvas 109.2 x 106.7 cm / 43 x 42 in

Two Worlds

Carmen Herrera
Two Worlds, 2011
Acrylic on canvas 182.9 x 152.4 cm / 72 x 60 in.


Carmen Herrera
Untitled, 2007
Acrylic on wood 152.4 x 127 cm / 60 x 50 in.


Carmen Herrera
Untitled, 2007
Acrylic on wood 152.4 x 127 cm / 60 x 50 in.

Black and White

Carmen Herrera
Black and White, 1987
Acrylic on canvas 182.9 x 152.4 cm / 72 x 60 in


Carmen Herrera
Origami, 1987
Acrylic on canvas 152.4 x 101.6 cm / 60 x 40 in.

Blue with White Line

Carmen Herrera
Blue with White Line, 1964
Acrylic on canvas 172.4 x 172.4 cm / 68 x w 68 in.

Blanco y Verde

Carmen Herrera
Blanco y Verde, 1959
Acrylic on canvas 172.7 x 152.4 cm / 68 x 60 in.


Carmen Herrera
Iberic, 1951
Acrylic on canvas on board 101.6 cm / 40 in. diameter

Green Garden

Carmen Herrera
Green Garden, 1950
Acrylic on canvas 45.5 x 60.8 cm / 18 x 24 in.

Untitled, 2012

Carmen Herrera
Untitled, 2012,
Acrylic, black gesso and pencil on paper 70 x 100 cm 27 1/2 x 39 3/8 in


  1. Carmen Herrera: Estructuras

    Carmen Herrera: Estructuras

    14 September – 27 October 2018

  2. Carmen Herrera

    Carmen Herrera

    25 November 2017 – 17 February 2018

  3. Carmen Herrera: Paintings on Paper

    Carmen Herrera: Paintings on Paper

    3 May – 10 June 2017

  4. Carmen Herrera

    Carmen Herrera

    3 May – 11 June 2016

  5. Carmen Herrera: Works on Paper 2010 - 2012

    Carmen Herrera: Works on Paper 2010 - 2012

    25 January – 15 March 2013

  6. Carmen Herrera

    Carmen Herrera

    1 February – 3 March 2012

  7. Peter Joseph and Carmen Herrera

    Peter Joseph and Carmen Herrera

    23 November 2010 – 29 January 2011

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