Estate of Channa Horwitz
Born in Los Angeles, where she lived and worked for her entire life, Channa Horwitz (1932–2013) studied graphic design in the early 1950s at Art Center College of Design and Fine Art at Cal State Northridge in the early 1960s. In 1972 she received a BFA from the California Institute of the Arts in Valencia, California. There she studied with more well-known peers John Baldessari and Allan Kaprow, participating in some of Kaprow’s notorious ‘Happenings’ and creating her own. Now regarded as an important proponent of Conceptual Art and West Coast Minimalism alongside Mary Corse, John McCracken and others, Horwitz only received art world endorsement much later in life, when she was included in the Whitney Biennial (2014) and the Venice Biennale (2013) in the year of her death, aged 80.
Most recently Horwitz was exhibited in solo exhibitions at the Museo de Arte Contemporáneo de Castilla y León, León (2019), and the Contemporary Art Gallery, Vancouver (2018). Her work was included in "Thinking Machines: Art and Design in the Computer Age, 1959-1989", at The Museum of Modern Art, New York (2018), and in 2016, The Museum of Modern Art, New York organized a solo presentation of acquired works, as part of the museum’s ongoing series titled “Inbox”. Prior to this, Horwitz’s work was the subject of solo exhibitions at Raven Row, London, UK (2016); Kunst-Werke Institute for Contemporary art, Berlin, Germany (2015); Brandenburgischer Kunstverein, Potsdam, Germany (2009); among others. Her work has been included in major group exhibitions at Kunsthalle Wien, Vienna, Austria (2016); Itaú Cultural, São Paulo, Brazil (2015); Museum Tinguely, Basel, Switzerland (2015); Los Angeles County Museum of Art, CA, USA (2015); 2014 Whitney Biennial, Whitney Museum of American Art, New York, USA (2014); the 55th Venice Biennale (2013); Kunsthalle Düsseldorf, Germany (2013); Hammer Museum of Art, Los Angeles, CA (2012); Kunsthaus Dresden, Germany (2012); among others. Her work is included in the collections of the Museum of Modern Art, New York, USA; Hammer Museum of Art, Los Angeles, CA, USA; Getty Research Institute, Los Angeles, CA; Los Angeles County Museum of Art, CA; and the National Gallery of Art, Washington, D.C.; among others. Horwitz received an Artist Fellowship from the National Endowment for the Arts in 1978, and was awarded a prestigious Guggenheim Fellowship Grant in 2013, just before her death at the age of eighty.
Recent, current and forthcoming projects
'Channa Horwitz: Rhythm Intertwined', the He Art Museum, Shunde, China (25 Feburary – 11 June 2023)
'Forking Paths', Max Goelitz Gallery, Munich, Germany (2 Feb - 6 April 2023)
'Beijing Biennial 2022', (30 Dec 2022 – 12 March 2023)
Estate of Channa Horwitz
Rhythm of Lines
1993
Gold leaf and flashe on canvas
91.4 x 121.9 x 3.8 cm
36 x 48 x 1 1/2 in
HORW930006
Estate of Channa Horwitz
Language Series – 3 Circles and 2 Squares
2011
Acrylic mural installed at Channa Horwitz: Rhythm Intertwined, The He Art Museum, Shunde, China
Estate of Channa Horwitz
Square Moiré Sampler (in two sections)
1985
Plaka on paper
147.3 x 129.5 cm / 58 x 51 in
Collection of the He Art Museum, Guangdong, China
Estate of Channa Horwitz
Sonakinatography Compostition # 9 0 To the Top diminished
2011
Casein on mylar
50.8 x 34.9 cm
20 x 13 3/4 in
Estate of Channa Horwitz
Canon Fragment
c. 2011
Ink on mylar
22.8 x 39.7 cm / 8 7/8 x 15 5/8 in
Estate of Channa Horwitz
Language Series Working drawings - color with orange grid
2004-2005
Colored pencil on graph paper
21.6 x 27.9 cm / 8 1/2 x 11 in
Estate of Channa Horwitz
Language Series #18
2003-2004
Casein on paper board
25.4 x 38.1 cm / 10 x 15 in
Estate of Channa Horwitz
Rhythm of Lines, 6-7
1988
Casein and 23 karat gold leaf of mylar 76.2 x 101.6 cm / 30 x 40 in
Estate of Channa Horwitz
"Moiré on Red” - Rhythm of Line ll Series
1992
Casein and gold leaf on paper
27.9 x 38.1 cm
11 x 15 in
HORW920011
Estate of Channa Horwitz
Moire and different angles #16
1983
Ink on mylar
55.8 x 81.2 cm / 21 7/8 x 31 7/8 in
Estate of Channa Horwitz
Rhythm of Lines
1983
Casein, ink, and pencil on graph mylar
20.3 x 53.3 cm / 8 x 21 in
Estate of Channa Horwitz
Canon 2
1982
Ink on mylar
66 x 86.3 cm / 25 7/8 x 33 7/8 in
Estate of Channa Horwitz
Untitled (Canon Diamond)
1981
Casein on mylar
45.5 x 51 cm / 17 7/8 x 20 in
Estate of Channa Horwitz
To The Top Large To Small #1
1980/1985
Ink on mylar
4 drawings, framed: 55.9 x 61 cm / 22 x 24 in (each)
Estate of Channa Horwitz
Moire Canon Eleven
1984
Casein on mylar
50.8 x 50.8 cm
20 x 20 in
HORW840007
Estate of Channa Horwitz
8
1979
Lithograph
Closed: 55.9 x 52.1 cm / 22 x 20 1/2 in
Estate of Channa Horwitz
Untitled (Slices Structure)
1976
Ink on graph mylar
Framed: 38.1 x 38.1 cm / 15 x 15 in
Estate of Channa Horwitz
Variation and Inversion on a Rhythm l
1976
Ink on blue graph paper
64 drawings, framed: 43.2 x 54.6 cm / 17 x 21 1/2 in (each)
Estate of Channa Horwitz
Four Levels
1974-1977
Ink on paper
Framed: 102.9 x 497.8 cm / 40 1/2 x 196 in
Estate of Channa Horwitz
Slices #1
1976
Coloured pencil on paper
Framed: 45.7 x 116.8 cm / Framed: 18 x 46 in
Estate of Channa Horwitz
Time structure composition III Sonakinatography I
1970
Casein on graph paper
21.5 x 20.9 cm / 8 1/2 x 8 1/4 in
Estate of Channa Horwitz
Time structure composition III Sonakinatography I (detail)
1970
Casein on graph paper
21.5 x 20.9 cm / 8 1/2 x 8 1/4 in
