Sean Scully: LA Deep
Los Angeles, 23 September – 4 November 2023
“I called my painting Guadalupe, [because of] my affection for Mexico, not forgetting Cézanne and the coming grid, but also after Beckett and after the liquor-soaked, brown-black, dark-green shiny tiled floor of a bar somewhere up in a small Durango town, where at the back you can rent a room for twelve dollars.”
– Sean Scully, 2022
Sean Scully returns to Los Angeles almost 50 years after making his US debut there, unveiling a selection of new and older works at Lisson’s recently-launched LA space. Celebrating the development of his practice over five decades, this era-spanning exhibition draws formal and conceptual resonances between Scully’s earliest grid paintings, which were first shown in Santa Monica in 1975, all the way forward to equally innovative, large-scale works from 2023.
Scully’s so-called Supergrid series of works began while still a student in London and Newcastle in the UK during the 1960s, progressing towards a sophisticated language of overlapping, interwoven stripes painted between taped boundaries. Influenced by his tutor Ian Stephenson, whose dripped and dotted paintings featured in Michelangelo Antonioni’s Swinging Sixties film Blow Up, Scully began working on his own complex, focus-pulling compositions that likewise refused to fully reveal themselves at first sight, allowing only glimpses into its structure and necessitating prolonged viewing times. In epic feats of labor and painterly engineering, Scully built up dozens of horizontal and vertical lines, only to intensify this grid with multiplying layers of crisscrossing diagonals, creating expansive panels that exceeded even his tall frame and bodily span.Read more
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Tuesday – Saturday: 10:00am – 6:00pm