Considered one of the
founders of the hard-edge style of minimalist art, Leon Polk Smith rose to
prominence in the late 1950s and early 1960s with his distinctive shaped canvas
series — the Correspondences. These large canvases typically consist of two
vibrantly-coloured painted shapes defined by a precise but often irregular
contour. While Minimalist peers of his during that time were shifting away from
Modernism and rejecting relationality,
Smith was wholeheartedly advancing the formal and rational elements of the
A retrospective of Smith’s work was organized by The Brooklyn Museum, New York, in 1996. His work is in numerous public and private collections worldwide including Albright-Knox Art Gallery, Buffalo, NY, USA; Art Institute of Chicago, Illinois, USA; The Brooklyn Museum, New York, USA; Cleveland Museum of Art, Ohio, USA; Crystal Bridges Museum of Art, Arkansas, USA; Dallas Museum of Art, Texas, USA; Detroit Institute of Art, Michigan, USA; Solomon R. Guggenheim Museum, New York, USA; The Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA; Los Angeles County Museum of Art, California, USA; Metropolitan Museum of Art, New York, USA; Morgan Library and Museum, New York, USA; The Museum of Modern Art, New York, USA; Whitney Museum of American Art, New York, USA; Kunsthalle Nürnberg, Germany; Israel Museum, Jerusalem; MACBA – Museo de Arte Contemporáneo de Buenos Aires, Argentina; Museum Ludwig, Cologne, Germany; Neue Nationalgalerie, Berlin, Germany; and Vancouver Art Gallery, British Columbia, Canada, among others.
The Leon Polk Smith Foundation was established by the artist and has been active since Smith's death in 1996 at the age of ninety. Its mission is to preserve and promote Smith's art and legacy. More information on Leon Polk Smith can be found at the foundation's website, www.leonpolksmithfoundation.org.