Shirazeh Houshiary becomes a Royal Academician
'In the studio with Christopher Le Brun' - Apollo Magazine
'Hugh Hayden and Daniel S. Palmer in Conversation on Black Atlantic' - Sculpture Magazine
'Tony Cragg, Sculpture: Body and Soul' at the Albertina Museum, Vienna
'Sean Scully: A Wound in a Dance with Love' at MAMbo, Bologna, Italy
Cory Arcangel develops new performance for FRONT 2022
'International Exchange Exhibition: Daniel Buren' at Daegu Art Museum, South Korea
'Christina Jankowski: I Was Told to Go With The Flow' at Kunsthalle Tübingen, Germany
Ceal Floyer in 'Under Construction' at Hamburger Bahnhof, Berlin
Lisson Gallery to participate in JINGART 2022’s online programme, PLATFORM
'Sean Scully, Painter Poet by Donald Kuspit' - Sean Scully's retrospective at the Philadelphia Museum of Art reviewed in Whitehot Magazine
Lisson Gallery completes first Gallery Climate Coalition Carbon Report for 2019
'Tony Oursler: Anomalie' at Photo Elysée, Lausanne
Marina Abramović and CIRCA announce the artist's first performance in the Web3 space
Tony Cragg at the Reggia di Venaria, Turin
Participatory installation 'Out of Sight' pays homage to Lawrence Weiner at Art Basel
Anish Kapoor discusses 'dark maternal waters' of Venice and his dual-part presentation with Frieze
Announcing representation of Yu Hong
The Brooklyn Rail hosts panel discussion on Carmen Herrera's Lisson New York exhibition
Bernard Piffaretti in conversation with Raphael Rubinstein in The Brooklyn Rail
Sean Scully retrospective at The Philadelphia Museum of Art reviewed in The Washington Post
Hugh Hayden: ‘My desire is to transform materials from our everyday lived experience’
'Hugh Hayden: Boogey Men' at Blaffer Art Museum, Houston, Texas
Samsara by Tatsuo Miyajima at Het Noordbrabants Museum, 's-Hertogenbosch
Cory Arcangel's Space Invader in group exhibition at Julia Stoschek Collection, Düsseldorf
Five Murmurations by John Akomfrah in 'The Healthy City' at Utrecht Centraal Musuem
Lisson Gallery at Art Basel 2022
Hélio Oticicia's 'Magic Square #3' installed for the first time ever in Brasília
Artist Lee Ufan: ‘I wanted to start a conversation between the living and the dead’ - The Financial Times
‘Leon Polk Smith: 1945-1962’ Review: The Shape of Abstraction - WSJ
