John Latham
John Latham Cv
From his1954 demonstration leading to foundation of the Institute for the Study of Mental Images (ISMI), Hampshire, when his "quantum of mark" approach to Form as Art was discovered, until his death in 2006, one of John Latham's major preoccupations was to map the relation between this representation of history and that of scientists approaching the subject from mathematical and common sense perception. Latham's work was "art" with the Universe as subject matter; the difference found being one of great simplicity. The conventional world picture is in terms of "objects". Art uses a dimensionality of "event" that is incompatible with "object" language. Hence his construct Event Structure.Latham's most famous works are his book-reliefs which he made from the 1950s onwards, both wall-based and free-standing. He was also the first person in the UK to use spray-paint in his work, both in the paintings of the 50s and to make the seminal 'One Second Drawing' works of the 70s. There were retrospective exhibitions of his work at Tate Britain in 2005 and at the John Hansard Gallery and P.S.1, New York in 2006.
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John Latham Exhibitions
John Latham November 3 - December 6, 1970
John Latham Public Exhibitions
John LathamFlat Time House is the home and studio of the late British artist John Latham. It opened to the public on
October 2008 for a programme of exhibitions and events, and as an archive and research centre.
For further information on visiting days and events, visit: Flat Time House
John Latham
Shake It: An Instant History of the Polaroid, Pump House Gallery
Pump House Gallery
John Latham Catalogues and Editions
John Latham Images

God is Great (#4), 2005 Glass, books, silicone Dimensions variable

Cluster No.11, 1992 Plaster, fragments of books 44 x 54 x 50 cm

The N-U Niddrie Heart, 1991 Glass, books, paper, plaster, electrical wire, light bulbs, metal fittings and sand 84 x 49 x 34 cm

Table with the Law, 1988 Table with glass and ten books 75 x 33 x 76 cm

Story of RIO, 1983 Plastic, glass, books, plaster, metal fittings, spray paint 150 x 85 cm

Untitled (Roller Painting), 1964 Spray paint on white duck 365.7 x 274.3 cm

Four Phases of the Sun, 1963 Books, wires, plaster, paint on canvas on hardboard 229 x 314 x 23 cm

Seein's Believin', 1961 Books, wire mesh, plaster, paint on canvas on hardboard 122 x 91 x 20 cm

Little Red Mountain, 1960 Timber base, books, plaster, wires 132 x 64 x 64 cm

Great Uncle Estate, 1960 Books, wires, nails, metal chain, string, leather, paint on canvas on hardboard 335 x 274 x 20.3 cm

Fly Fishing, 1959 Books, plaster, paint and wire 93 x 122 cm

The How and the Why, 1959 Charred books, plaster, paint, wires, metal fittings on canvas on hardboard 213 x 122 x 23 cm

Wave Function, 1959 Books, electrical wires, metal fragments, paint on canvas on hardboard 122 x 105 x 20 cm
John Latham Contact
Sales Enquiries: Patricia Pratas patricia@lissongallery.com +44 (0)207 535 0819Artist Liaison: Silvia Sgualdini silvia@lissongallery.com +44(0)207 535 7354